CBGB OMFUG Sunday Hardcore Matinee (Bowery NYC) • New York City, NY
Every punk, hardcore, and skate-punk band gets its own Band Headquarters Page, and every individual member gets their own Musician & Zine Artist Page to show off live pit videos, 7-inch vinyl releases, amp/pedal rigs, and upcoming all-ages gigs.
Documented 16mm footage of H.R. executing a full backflip off the CBGB stage monitors directly into an erupting sea of 300 slam-dancers during the opening riff of 'Pay to Cum'.
Turnstile's landmark free homecoming outdoor show in Baltimore: 3,000 kids pouring onto the amphitheater stage with continuous open-air stage dives, singalongs, and total joy.
Original SST Records promotional flyer illustrated by Raymond Pettibon, taped across telephone poles from Hollywood to Hermosa Beach for the legendary Olympic Auditorium riot bill.
Original 1983 Dischord Records first pressing featuring Cynthia Connolly's iconic black sheep cover art. Hand-assembled at the Dischord house in Arlington.
Iconic floor-cam capture of Matt Freeman executing his blistering 16th-note bass solo on 'Maxwell Murder' while the Gilman circle pit kicks into overdrive.
Raw camcorder tape of Suicidal Tendencies performing alongside the graffiti-covered Venice Beach pavilion while local Dogtown skaters carve the concrete bowl.
The four-song release that launched SST Records and American hardcore. Recorded at Media Art Studio in Hermosa Beach with Keith Morris on vocals and Greg Ginn on guitar.
High-contrast 35mm photograph of Ian MacKaye mid-leap over a floor of one hundred D.C. hardcore kids during a Sunday afternoon $5 all-ages show at the Wilson Center.
Original silkscreen and Xerox gig flyer illustrated by Tim Armstrong for an East Bay all-ages benefit concert at 924 Gilman Street.
The seminal self-released debut single from Bad Brains, recorded at Dots Studios in New York City with the band's famous lightning bolt graphic on the label.
Electrifying live photo of Turnstile playing at The Ottobar in Baltimore as forty audience members pack the stage to scream into Franz Lyons and Brendan Yates' microphones.
Henry Rollins' unvarnished handwritten journals from the back of the Black Flag tour van during the legendary 1982 'Damaged' North American and UK tours.
Original Ric Clayton / Suicidal Records skate art flyer for an all-ages thrash riot at Fender's Ballroom in Long Beach, bringing the Venice Dogtown skate crew.
Fold-out lyric sheet and cover sleeve hand-cut, folded, and glued by Ian MacKaye, Jeff Nelson, and Brian Baker on the living room floor of the Beecher Street Dischord house.
Hermosa Beach, CA • Hardcore & D-Beat
Total DIY independence: relentlessly touring the country in an unheated econoline van, screenprinting our own flyers, and rejecting commercial rock radio.
Washington, D.C. • Hardcore & D-Beat
Maintaining Positive Mental Attitude (PMA) in the face of spiritual chaos; merging precision jazz-fusion chops with blistering 200+ BPM hardcore and authentic deep roots dub reggae.
Washington, D.C. • Hardcore & D-Beat
Music is not a commodity, and shows must be accessible to everyone regardless of age. Five dollars at the door, hand-folded record sleeves, and zero tolerance for violence or gatekeeping.
Berkeley / East Bay, CA • Street Punk & Oi!
Keep the spirit of 924 Gilman alive: volunteer collective ethics, street level storytelling, fierce dual vocals, and lightning bass solos that honor our working-class roots.
Venice Beach, CA • Skate-Punk & Thrash
Possessed to skate from Ocean Front Walk pool coping to the circle pit. Flipping up our Venice caps, speeding up the rhythm section, and screaming truth against suburban alienation.
Baltimore, MD • Skate-Punk & Thrash
No barriers between band and crowd. Celebrating groove, physical freedom, shared vulnerability, and non-stop stage dives in the modern hardcore ecosystem.
Design cut-and-paste gig broadsides & blast authentic Web Audio D-beat riffs straight to the floor.